
(© Collection of the Edward Weston Archive, Center for Creative Photography, University of Arizona)
“The utterly famous photographer and the Grand Old Man of the American photographic world, Edward Weston…” — Shoichi Abe, Photo Art [Tokyo], November 1955[1]
Weston’s association with progressive photographic movements was pivotal to his aesthetic growth in the 1920s, and brought him into the sphere of influential German artists and intellectuals. As a result, he is well represented in German and Austrian publications: fifteen known references in Germany and two in Austria.
Of paramount importance is Weston’s well-documented participation in the seminal 1929 Film und Foto exhibition in Stuttgart, Germany and its subsequent related venues.[2] As illustrated above, his powerful portrait of Galvan Shooting appears in the catalogue published in conjunction with the February–March 1930 Vienna venue, Internationale Ausstellung: Film und Foto Wanderausstellung des Deutschen Werkbunds.[3] Unlike the original Stuttgart exhibition, with twenty Weston photographs, Vienna included only eight.
Continue reading “18 February 2020: A Photographer “with an international reputation,” 1913–1958; PART 2 of 2 (Germany to China)”