17 September 2020: Edward Weston At Home at Wildcat Hill

Larry Colwell, Edward Weston’s Mailbox, Carmel Highlands, Calif., 1955. Vintage silver print.

“The photographer who stays at home has one great advantage over the photographer who travels—his familiarity with his surroundings. He can study his material constantly, know how it looks at different times of day and seasons of year. He knows when the light is best in all of his favorite places, when the weather will be good, what kind of clouds to expect.”[1]  —Edward Weston. “Photographing California [Part II].” Camera Craft, March 1939


Note: Unless stated otherwise, all photographs illustrated in this post are currently owned, or were owned in the past, by Paul M. Hertzmann, Inc. All photographs by Edward Weston © Center for Creative Photography, University of Arizona.


“Weston on the Way” proclaimed The Carmelite on 26 December 1928: “Edward Weston is coming to Carmel for an indefinite stay, arriving early in January. He will occupy the Hagemeyer studio, with his son Bret [sic] Weston.”[2]

Weston’s first Carmel studio advertisement, The Carmelite, 13 February 1929, p. 7.

Long an intellectual and artistic community of great natural beauty, Carmel offered an ideal location for a creative individual like Weston. He would call it home for most of his life and gain inspiration there for many of his greatest photographs. Even today, an indelible link persists between Weston—man, work and Wildcat Hill home—and the special ethos of the Carmel region.

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